In a cultural climate and scholarly marketplace that increasingly marginalize poetry, especially eighteenth-century poetry, relatively few critics are willing to assert its value. Among the few are Suvir Kaul and Linda Zionkowski . . . Kaul raises the question–Why poetry?–to make an irrefutable case for the significance of poetic form to literary study. Poetic form helps promote or critique nationalist and imperialist projects.

No conceivable reader of this blog will want the reference, but it really truly comes from a review in a scholarly journal, viz Eighteenth Century Theory and Interpretation, Spring 2007.

 

The Man and the Lion

A MAN and a Lion traveled together through the forest. They soon began to boast of their respective superiority to each other in strength and prowess. As they were disputing, they passed a statue carved in stone, which represented “a Lion strangled by a Man.” The traveler pointed to it and said: “See there! How strong we are, and how we prevail over even the king of beasts.” The Lion replied: “This statue was made by one of you men. If we Lions knew how to erect statues, you would see the Man placed under the paw of the Lion.” One story is good, till another is told.

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